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Manchester Animation Festival Bans Generative AI Films From 2027

Manchester Animation Festival, Oscar and BAFTA qualifying, will not accept films made with generative AI from 2027. What the policy says, where it draws the line, and the MAF 2027 dates.

A young animator with curly hair at a wooden light table in a red-brick studio at dusk, flipping through hand-drawn pencil frames of a bee in flight, rain on the arched window behind
Frank Houbre

November 14, 2026

Manchester Animation Festival (MAF) will not accept films made with generative AI from its 2027 edition. The festival announced the rule on 13 November 2026, the day after its 2026 awards ceremony, and opened its call for MAF 2027 under it. The test is strict: if any part of the final moving image was generated or transformed by a generative audio, image or video model, the film is ineligible.

MAF calls itself the UK's only Oscar and BAFTA qualifying animation festival, so this is not a fringe event drawing a line. We read the festival's announcement, dated Friday 13 November 2026, its submission terms and FAQ, and the two-page "Generative A.I Policy for Filmmakers" PDF linked from the announcement, all on 14 November. Cartoon Brew reported the change on 13 November. Here is what the policy says, what it leaves open, and what it changes if you make films with AI.

What MAF announced

Manchester Animation Festival's announcement dated Friday 13th November 2026: the 2026 winners, then a paragraph saying films created using generative AI will no longer be accepted for submission from 2027 onwards, and a quote from festival director Steve Henderson
Manchester Animation Festival announcement, captured on 14 November 2026.

The announcement calls the change "a landmark move for the animation sector" and says the policy reflects the festival's "commitment to celebrating human creativity". Festival director Steve Henderson tied it to the new call for entries: "As we open our call for entries for MAF 2027 we wanted to stand by the creatives that make animation the incredible, human artform that it is. Our new Gen AI policy puts artists first."

The same release named the 2026 winners. Phuong Mai Nguyen's In Waves won the Feature Film Award, Mamuka Tkeshelashvili's When the Sea Was Calm won the Short Film Award, and A Little Death by Leto Meade and Jonathan Rockefeller won Best British Short. The festival ran from 8 to 12 November at HOME and other venues in Manchester, and Cartoon Brew reports nearly 12,000 admissions, its highest total so far.

Where the line falls

The policy PDF is more interesting than the headline, because it does not ban computers. It separates three kinds of filmmaking: animation, "the creation of movement", live action, "capturing movement", and generative AI, "a calculation of movement".

Diagram of the three categories in MAF's policy: animation, motion made by the hands of an artist, eligible, with rotoscoping counted when frames are drawn over live action; generated animation, automation the artist controls such as coded crowds, hair simulation, colouring frames and tweening, eligible; generative AI, a model approximating a prompt, ineligible from 2027 if any part of the final moving image is generated or transformed
From MAF's "Generative A.I Policy for Filmmakers", last reviewed November 2026.

What MAF calls "generated animation" stays eligible: coded crowd scenes, hair simulation, colouring many frames, motion tweening between keyframes. The condition is that "the artist is in control of the input and the outcome". Generative AI is defined as "final pixel, on screen work" produced with generative audio, image or video models, where an operator gives a prompt and the model calculates an approximation of it.

Rotoscoping shows how fine the line is. A film drawn frame by frame over live-action reference is fully animated and eligible. A film that uses generative AI to rotoscope, or uses it as a render engine over animated work, counts as fully generated and is not. The PDF puts it in one sentence: "If it has been put through a Gen A.I model, it is the product of a Gen A.I."

Hybrids with live action remain welcome as long as more than 50% of the film is animated. The festival also gives its reasons: it cites copyright and environmental impact as open questions, and says that "whilst these questions remain unanswered we will not exhibit Gen A.I film". The PDF lists August 2027 as its next review date.

How it is enforced

MAF submission FAQ answer to the question Do you accept submissions of films made with Generative A.I: if any part of the final moving image has been generated or transformed by a generative audio, image or video model, it will be deemed ineligible; the festival is not obliged to watch it and there is no refund
MAF submission FAQ, captured on 14 November 2026.

There is no detection system in the policy. A film found to use generative AI is ineligible, the festival says it is not obliged to watch it, and the entry fee is not refunded under the submission terms. A filmmaker who thinks a method was misread can contact the team under a "Right to Reply" clause, but has to bring evidence that the film does not break the policy, which the festival team or third parties will review.

The MAF 2027 calendar

Timeline of Manchester Animation Festival 2027: policy announced and call opened on 13 November 2026, film and Industry Excellence deadline 30 July 2027, next policy review in August 2027, works in progress delivered by 27 August 2027, selection notices by 10 September 2027, festival 14 to 18 November 2027 with online events to 30 November
From MAF's announcement, submission terms, FAQ and policy PDF, read 14 November 2026.

Films must be completed after 17 July 2026 and received by Friday 30 July 2027, through FilmFreeway. Works in progress can be entered if the finished film reaches the team before 27 August 2027. Selected filmmakers hear by 10 September 2027, and the festival returns from 14 to 18 November 2027, with online events from 19 to 30 November. The festival does not publish its entry fee on its own pages, and FilmFreeway refused our request, so we cannot confirm the amount.

What it means for AI filmmakers

The short version: if your film has generated shots in it, MAF 2027 is closed to you. Plenty of other doors are open. Our AI film festivals hub lists the events that welcome AI work, with deadlines and rules, and the AI film festivals guide for 2026 explains how to pick where to enter.

Three points are worth taking away anyway.

Read the rule, not the headline. MAF's line is about the final moving image. It is not a ban on software, and it says nothing either way about scripts, storyboards or animatics made with AI. If your pipeline used AI only before production, the PDF does not answer whether that counts, so ask the festival before you pay a fee. Other festivals draw the line elsewhere: some require disclosure, some run separate AI sections. Our guide to AI film disclosure rules covers the declarations platforms and festivals ask for.

Festivals do not agree, even in animation. Annecy's 2026 terms had no AI clause for competition films and asked for a disclosure only at the Mifa Pitches market, as our page on AI films at Annecy explains. Seoul's independent festival went the other way and built a section for AI shorts by known directors. Check the AI clause of every festival in your plan, every year: MAF reviews its policy annually.

Keep proof of your process. The Right to Reply clause puts the burden on the filmmaker. Whatever festival you target, keep your project files, source drawings and a short production note. It costs little and it answers the question before it is asked.

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What this means if you work in ScreenWeaver

ScreenWeaver is a writing and pre-production tool: script, story elements, storyboard and animatic, with generated images and clips where you choose to use them. If you aim at a festival with a rule like MAF's, plan it from the start. Use the storyboard as a guide for hand-made animation, keep generated frames out of the final cut, and keep the board as evidence of how the film was built. If you aim at an AI-friendly festival instead, the same board is where character and place references are fixed before any shot is generated, as our storyboard-first workflow explains.

Checklist before you enter an animation festival

  • Read the festival's AI policy itself, not only the call for entries page.
  • Map every step of your pipeline: which tools touched the final image, which only the planning.
  • If a model generated or transformed any final frame, do not enter MAF 2027.
  • Ask the festival in writing about grey areas (AI storyboards, AI upscaling, AI sound) before paying.
  • Keep project files, source drawings and a dated production note.
  • For hybrids with live action, check that more than half of the film is animated.
  • Recheck the rule each year: MAF's next review is August 2027.

FAQ

Does Manchester Animation Festival accept AI films? Not from 2027. The festival announced on 13 November 2026 that films made with generative AI will not be accepted from the 2027 edition onwards.

What counts as generative AI for MAF? Final on-screen work produced with generative audio, image or video models. If any part of the final moving image was generated or transformed by such a model, the film is ineligible.

Are computer-assisted techniques still allowed? Yes, when the artist controls the input and the outcome. The policy names coded crowd scenes, hair simulation, colouring frames and tweening between keyframes. Rotoscoping by hand is eligible; rotoscoping with generative AI is not.

What happens if I submit an AI film anyway? It is ineligible, the festival is not obliged to watch it, and you are not refunded. You can contest a decision under the Right to Reply clause, with evidence.

When is the MAF 2027 deadline? Films completed after 17 July 2026 must be received by Friday 30 July 2027. The festival runs from 14 to 18 November 2027 in Manchester.

Who won Manchester Animation Festival 2026? In Waves by Phuong Mai Nguyen won the Feature Film Award, When the Sea Was Calm by Mamuka Tkeshelashvili the Short Film Award, and A Little Death by Leto Meade and Jonathan Rockefeller Best British Short, according to the festival's announcement of 13 November 2026.

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About the Author

Frank Houbre · Founder, ScreenWeaver

Frank Houbre is the founder and President of Outerframe Studio, the company behind ScreenWeaver. He builds script-first filmmaking workflows — screenplay to storyboard to AI production — and writes about AI video models, storyboarding, and the craft of keeping the screenplay canonical.

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