close-up of an elderly woman looking down, soft morning side light, leaf shadows drifting across her face, shallow depth of field, locked-off camera, she barely moves
手部插入镜头
整场戏系于其上的那个动作，紧紧框住。
insert close-up of a wrinkled hand resting on a bicycle bell, thumb still, not ringing, soft background, natural morning light
日常的通道
每天都走的巷子或走廊，拍出纵深，拍得对称。
deep wide shot down a narrow alley, laundry lines overhead, a figure walking a bicycle toward camera, one-point perspective, soft morning light
走远的背影
一个背影，把观众留在原地。
shot from behind, old woman walking a bicycle away down a tree-lined alley toward the light, static camera, she grows small in frame
留有空隙的双人镜头
同一画面里的两个人，中间的空隙说出了他们不肯说的话。
medium two-shot at a kitchen table, father and daughter at opposite ends, an empty chair between them, window light, neither looks at the other
窗边肖像
一扇窗，一张脸，没有补光。
portrait beside a single window, soft daylight on one side of the face, the other side in shadow, no artificial light, muted colours
留下的物件
一把空椅子，一杯没动过的茶：人走之后留下的东西。
static wide of an empty wooden chair by a doorway, morning light moving slowly across a whitewashed wall, washing stirring on the line, no people
不间断的漂移
一次缓慢的运镜，让一个瞬间实时展开，中间不切。
single continuous shot, camera drifting slowly alongside a rowboat on a forest river, a young man reading, sunlight through the trees, no cuts
光线与色板
自然光，克制的颜色。
当光有一个让人相信的来源，剧情片才显得真实：一扇窗，树叶间的一道缝，巷子尽头的太阳。要清晨或傍晚的光，让脸一半落在阴影里，饱和度压低。下面五种颜色取自 Grandma Lin 的镜头：浅色的墙，褪色的上衣，温暖的肤色。没有什么比那件上衣更抢眼，这份克制就是它的质感。
