如何在剧本中写场景标题（场景行）
如何在剧本中写场景标题（也叫场景行）：内景还是外景、地点、时间，按这个顺序。外加什么时候开始新的一场戏，以及如何处理闪回和蒙太奇。
在这一课中你将学到
- 场景标题的三个部分：内景还是外景、地点和时间
- ScreenWeaver 如何在你输入时推荐前缀、地点和时间
- 场景标题中的新地点如何变成侧边栏里的一个场景地点
- 什么时候需要新的场景标题，什么时候用 LATER
- 为什么一个地点必须始终只有一个名字
- 如何处理闪回、电话和蒙太奇
剧本中的每一场戏都从一个场景标题开始，有时也叫场景行（slugline）。这一课教你写出能同时回答两个问题的场景标题：我们在哪里？在什么时候？你会学到它的三个部分：内景还是外景、地点和时间，以及 ScreenWeaver 的自动补全如何推荐前缀、你已有的地点，以及 night、dawn、later、continuous 或 moments later 这样的时间。
你还会学到什么时候开始新的一场戏，为什么 “栈桥” 绝不能变成 “码头” 或 “渡口”，以及如何让场景标题保持具体。读一读 The Night Ferry 的五个场景标题，你会看到时间从夜晚推进到黎明，本身就能撑起一整部影片。这一课最后讲特殊情况：闪回、两地之间的电话，以及蒙太奇。
完整文字稿
英语旁白的文字稿。
0:04Every scene starts with a scene heading, sometimes called a slugline. It answers two parts before anything else happens. Where are we? And when?
0:14A scene heading has three parts. First, interior or exterior. Are we inside or outside? Then the place. Then the time of day. Exterior, the jetty, night. Interior, the ferry cabin, night. Simple. In capitals and always in that order.
0:36Let's type the first one. In the toolbar, choose scene. As soon as you type the first letter, ScreenWeaver suggests the standard prefixes. Interior, exterior, interior slash exterior and I slash E for scenes that move between the two. Use the arrow keys to pick one and press enter.
0:57Now the place. The jetty. Because it's a new place, the suggestion list offers to create it. Confirm and the jetty is added to your places in the sidebar. From now on, every time you start a heading with interior or exterior, your existing places are suggested. So you never misspell them.
1:16Then type a space, a dash and a space. And the list offers the times of day. Day, night, dawn, dusk, morning, afternoon, evening, but also later, continuous, moments later and same time. Pick night.
1:35When do you need a new scene heading? Every time the place changes or the time jumps. When Maya steps from the jetty into the cabin, that's a new place, new heading. When we come back to the cabin a little later, that's the same place at a later time. Interior, the ferry cabin, night, later.
1:56One rule matters more than all the others in Screenweaver. Name a place exactly the same way every time. The jetty is always the jetty. Never the dock in one scene and the pier in the next. Each different name creates a different location. And later, a different set in your storyboard.
2:16Keep headings short and concrete. A place a camera can go to. Not a feeling. The ferry deck. Not somewhere in the fog. If the place needs more detail, that's what the first action line is for.
2:29Here are all the scene headings of the night ferry. So you can see the pattern. Exterior, the jetty, night. Interior, the ferry cabin, night. Exterior, the ferry deck, night. Interior, the ferry cabin, night, later. And exterior, the island harbour, dawn. Five headings. Four places. And the time of day moving from night to dawn. Which is the whole emotional journey of the film. Readable from the headings alone.
3:01A few special cases you'll meet. A flashback. Put it in the heading. Interior, the ferry cabin, night. Twenty years earlier. Or write flashback as the first word of the action. A phone call between two places. Give each place its own heading. And cut between them. And a montage, a series of short images. Write a heading for the main place, then one short action line per image. Clarity first. The reader must always know where and when we are.
3:34Your exercise. List every place of your story and write the scene heading of each scene. With interior or exterior, the place and the time. Next lecture, the action lines. Where the film really happens.