如何写竖屏短剧剧集：5 条规则
如何写竖屏短剧：一分钟剧集的五条规则，从前三秒的钩子，到让观众划向下一集的那个问题。
在这一课中你将学到
- 竖屏 9:16 短剧有什么不同：在手机上观看的一分钟剧集
- 为什么钩子必须出现在前三秒，而不是第一场戏
- 为什么一集 60 秒的剧集，恰好只容得下一个转折
- 四节拍结构：钩子、升级、转折、悬念收尾
- 如何让每一集都以一个问题结尾，赢得观众的下一次划动
- 如何在 ScreenWeaver 中设置一季短剧的节拍并贴上标签
竖屏短剧每集大约一分钟，以 9:16 拍摄，观众在手机上观看，划一下就能离开。这一课以 The Other Nora 为例，给你写竖屏短剧的五条规则：一个女人回到家，钥匙拧不动，门开了，里面站着一个和她长得一模一样的女人。三集，每集 60 秒，在 ScreenWeaver 中以 Episodical 项目写成。
你会把钩子放在前三秒，每集只保留一个转折，搭建四个各约 15 秒的节拍，以一个问题结尾，并为脸部和短台词而写。然后我们用同样的方式给每一集的四个节拍贴标签，让整季在节拍轨道上一目了然。这是免费剧本写作课程的第 5.3 课；The Other Nora 的完整制作在另一门免费课程中。
完整文字稿
英语旁白的文字稿。
0:04The vertical short drama is the fastest growing format in the world. Episodes of about a minute, filmed in 9x16, watched on a phone by someone who can leave with one swipe. Writing for it has its own rules.
0:19Here's our example. The Other Nora. A woman comes home, her key doesn't turn, and the door opens on a woman with her exact face. Three episodes of 60 seconds written in Screenweaver in an episodical project.
0:35Rule 1. The hook lives in the first three seconds. Not the first scene, the first three seconds. A key that won't turn. A visible problem, not a mood. On a phone, nobody waits for the story to start.
0:50Rule 2. One episode, one turn. 60 seconds have room for exactly one change. In episode 1, the door opening on her own face. Everything before builds the question, everything after makes it worse.
1:06Rule 3. Four beats of about 15 seconds. The hook, the escalation, the turn, and the cliffhanger. In the outline, that's four story beats per episode, each one becoming a single scene.
1:21Rule 4. End on a question. Episode 1 ends on a text from a contact named me. Don't knock again. Episode 2 on four words. You died yesterday. Every ending gives the viewer a reason to swipe to the next episode.
1:38Rule 5. Write for faces and short lines. On a vertical screen, a close -up fills the whole phone. Dialogue rarely goes beyond eight words a line, because each scene is a clip of about 15 seconds.
1:53In Screenweaver, that's an episodical project. Four beats per episode, labelled with their roll, and very short scenes. The same tools, a different clock.
2:04In the outline, label the four beats of each episode the same way, every time. The hook as opening slash setup, the escalation as rising action, the turn as plot point one, and the cliffhanger with tension slash suspense. Read the whole season on the beat track, and you'll see instantly if an episode is missing its turn or its ending.
2:25If you want to go further, my free course, Make a Vertical Short Drama with AI, covers the whole production of The Other Nora. Your exercise. Outline a three -episode short drama with a hook, a turn, and a cliffhanger in each. Next, what changes when your script will be produced with AI? Bye.