第 16 课,共 27 课 · 第 4 单元: 用 AI 写作

如何用 AI 构思故事:一句话梗概、反转与节拍

剧本写作课程 · 4.2 3:22 视频免费

如何用 AI 构思故事,又不让它替你写:从一颗种子出发,拿到十个一句话梗概,再用追问深挖。选择权在你手里,助手负责探索方向。

章节(9)
在 YouTube 的课程播放列表中观看

视频为英语讲解。

在这一课中你将学到

  • 为什么要从一颗故事种子和限制条件开始,而不是直接要一个完整的故事
  • 如何把十个 AI 一句话梗概当作地图来读,并识别出平庸的那些
  • 追问如何把一句话梗概变成一个中点和一个情节点二
  • 如何用结构标签得到一个七节拍的骨架
  • AI 写作中最被忽视的问题:请它批评
  • 如何构思塑造每一句台词的人物前史和角色名字

白纸之所以难,是因为每个方向都有可能,而 AI 助手能在一分钟内探索十几个方向。这一课教你如何用 AI 构思故事,同时依然像编剧一样做选择。我们从 The Night Ferry 的一颗种子出发,一位午夜之后从不载客的老摆渡人,加上限制条件,然后为一部五分钟的短片要十个一句话梗概。

接着,我们把这些答案当作一张地图而不是一份菜单来读,用追问找出引擎熄火和指南针这两个情节,也就是我们的中点和情节点二,再要求从开场到结局的七个故事节拍。你会看到请它批评如何修好了一个被动的低谷,一段人物前史如何在从未说出口的情况下塑造了 Elias,以及 Elias 和 Maya 这两个名字是怎么选出来的。这是 ScreenWeaver 免费剧本写作课程的第 4.2 课。

完整文字稿

英语旁白的文字稿。

0:04The blank page is hard because every direction is possible. An AI assistant is very good at exactly that problem, exploring a dozen directions in a minute. So you can choose, like a writer.

0:17Start with a seed, not a request for a finished story. Here's mine. An old ferryman crosses a lake at night. He never takes passengers after midnight. Tonight, someone begs him to cross. Then the constraints. Give me ten log lines for a five -minute short film with two characters. Vary the genre and the twist. One sentence each.

0:40Read the answers as a map, not a menu. Some are generic. A ghost, a dream, a murder. That's the average of everything the model has read. Others are interesting. Number seven. The passenger is his daughter, whom he hasn't seen in years. That's a twist you can show on screen, with an object, without explanation.

1:02Now go deeper, with follow -up questions. Give me five ways she could prove who she is, without saying it. The answers? She knows a nickname. She sings a song. She fixes the engine the way he taught her. She carries a matching object. The last two become our midpoint, and our plot point two. The engine, and the compass.

1:23Then ask for structure. Here's my log line. Give me seven story beats, using the labels opening, inciting incident, plot point one, midpoint, low point, plot point two, and resolution. You get a skeleton in seconds, ready to compare with the outline you built yourself.

1:43And ask for criticism. This is the most underused question in AI writing. What's the weakest beat of this outline, and why? The assistant pointed out that the low point was passive. Elias was just worried. So we made it active. He demands, who are you? And she refuses to answer.

2:02Brainstorm characters, too. Ask, give me five possible backstories for Elias that would explain why he never sails after midnight. One answer was perfect. The night his daughter left, she took the last ferry. After midnight. We never say it in the film. But knowing it changes how we write every one of his lines.

2:22And names. Names carry a lot. Ask for ten names for an old ferryman. And ten for his daughter. With a short reason for each. Elias came from that list. Old. Simple. A little biblical. Maya. Short. Modern. Easy to call across the water.

2:47Remember, the assistant is a sparring partner. You accept, twist, or throw away. The best ideas of the night fairy came from rewriting the assistant's answers, not from copying them.

3:01Your exercise. Write your seed. Ask for ten log lines. Choose one. Ask five follow -up questions. Ask the assistant to criticize your outline. Next, writing and rewriting scenes with AI. Bye. Bye

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