Deep dives into modern screenwriting, visual storytelling, and how AI is reshaping the creative process.
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Is your pilot selling a story or a machine? How to design a first episode that makes a clear promise about your show’s engine, case-of-the-week, long-arc, or a hybrid that actually works.
Writing the TV Pilot: Procedural vs. Serialized (And What Your First Hour Really Has to Prove)
Winning or losing is the least interesting question. How to build sports stories where the season forces your underdog to change, not just train.
Writing Sports Movies: The Underdog Arc That Actually Hurts
The vault isn’t Act Three’s job; it’s Act One’s consequence. Why crew assembly is your real first act and how to design specialists, motives, and fractures that make the heist inevitable.
The Heist Movie Structure: Assembling the Crew
Too modern and it’s fake, too accurate and it’s dead. How to write period dialogue that feels true to the era, sharp on the page, and playable for actors.
Writing Period Dramas: Dialogue vs. Accuracy (Without Sounding Like a Museum Audio Guide)
A life isn’t a timeline; it’s an argument. How to choose an axis, compress decades, and write biopics that feel truthful without turning into Wikipedia on film.
The Biopic: How to Condense a Life into Two Hours Without Lying
Spaceships are easy. Feeling isn’t. How to design sci‑fi concepts, structures, and images that carry real emotional and philosophical weight, with lessons drawn from Arrival.
Writing the Elevated Sci‑Fi: How to Build Your Own Arrival‑Level Story
Speed over quality for the first pass. Why finishing a bad draft beats polishing a perfect page one, and how to run a real vomit draft without backsliding.
The "Vomit Draft": Why You Should Write Badly First
How three very different writers get the work on the page, and what to steal from their habits without copying their rituals.
Writing Routines of Famous Screenwriters: Sorkin, Tarantino, Gerwig