
Phone Calls: Intercut vs. Dual Dialogue
When to intercut between two locations and when to stay on one side. Why dual dialogue is for the same room, not calls.
Phone Calls: Intercut vs. Dual DialogueDeep dives into modern screenwriting, visual storytelling, and how AI is reshaping the creative process.
Categories

When to intercut between two locations and when to stay on one side. Why dual dialogue is for the same room, not calls.
Phone Calls: Intercut vs. Dual Dialogue
What we hear and what we see. How to format podcasts and news so the content is clear without transcribing everything.
Writing Multimedia: Podcasts and News Reports in Scripts
VR POV, AI voice, holographic UI, how to describe what we see and do without over-designing the interface.
Virtual Reality and AI Interfaces: Formatting Futuristic Tech
Sound before the first image. How to format OVER BLACK so the reader and the director know the intent.
The "Black Screen" Opening: Formatting Sound Over Black
Lyrics vs. dialogue; diegetic vs. non-diegetic. How to format songs and cues so the reader and music team know what's what.
Writing the Musical: Formatting Lyrics and Song Cues
Describe the effect, not the shot count. One clear image per beat so production can budget and design.
The VFX Heavy Script: Writing for CGI Without Breaking the Budget
Give the translation. One consistent convention so the reader and subtitling team always know what's said.
Foreign Languages and Subtitles: Best Formatting Practices
Series of shots = one event, many quick beats. Montage = time passing. How to choose and format each.
Series of Shots vs. Montage: What's the Difference?