Ogni movimento, animato e pronto da copiare
Guarda cosa fa davvero all'inquadratura ciascun movimento macchina, poi copia la formula esatta che lo attiva in Veo, Sora, Runway, Kling e Seedance. Basta chiedere una carrellata quando l'inquadratura che hai in testa è una panoramica.
I modelli testo-verso-video capiscono il vocabolario reale della ripresa, ma solo se usi la parola giusta per il movimento giusto. Ogni scheda qui sotto anima un movimento sulla stessa scena, così le differenze si vedono invece di essere descritte: una panoramica ruota senza parallasse, una carrellata laterale scivola con parallasse, un avanzamento attraversa lo spazio mentre uno zoom lo schiaccia.
Le animazioni sono pure dimostrazioni in CSS disegnate nel tuo browser. Copiare un prompt non invia nulla a nessun server.
The camera does not move at all, as if mounted on a tripod.
Quando usarlo: Composed tableaus, dialogue, comedy framing, letting action play inside a fixed frame.
static camera, locked-off shot, no camera movement
Wide shot of an empty diner at dawn, static camera, locked-off shot, no camera movement.
The camera rotates horizontally on its axis, sweeping the view across the scene.
Quando usarlo: Revealing a landscape, following action across a space, connecting two subjects.
slow pan from left to right across the scene
Desert canyon at golden hour, slow pan from left to right across the scene, cinematic.
The camera rotates vertically, pivoting the view up or down from a fixed position.
Quando usarlo: Revealing scale (a tower, a giant), moving from detail to context, hero introductions.
slow tilt upward from the ground to the sky
Base of a futuristic skyscraper at night, slow tilt upward from the ground to the sky.
The camera moves physically toward the subject, tightening the frame.
Quando usarlo: Building tension, signaling a realization, isolating a character from their surroundings.
slow push-in toward the subject, smooth cinematic camera move
A detective studies a wall of photographs, slow push-in toward the subject, smooth cinematic camera move, moody interior light.
The camera moves physically away from the subject, widening the frame.
Quando usarlo: Endings, reveals of context or isolation, showing how small the subject is in the world.
slow pull-back away from the subject, revealing the surroundings
A lone figure on a rooftop, slow pull-back away from the subject, revealing the surroundings, sprawling city below.
A sudden, fast zoom onto the subject, snapping the frame tighter in a fraction of a second.
Quando usarlo: Shock beats, comedic emphasis, stylized action (Tarantino, Wright).
sudden crash zoom onto the subject
A cowboy's eyes narrow under his hat brim, sudden crash zoom onto the subject, western standoff.
The camera slides laterally on a track, creating natural parallax between foreground and background.
Quando usarlo: Moving past environments, following lateral action, elegant scene exploration.
camera trucks right, sliding laterally with natural parallax
Rows of neon market stalls at night, camera trucks right, sliding laterally with natural parallax.
The camera travels with the subject, keeping them framed while the world streams past.
Quando usarlo: Walk-and-talks, chases, immersing the viewer in a character's forward motion.
tracking shot following the subject as they move, subject stays centered
A runner sprints through rain-soaked streets, tracking shot following the subject as they move, subject stays centered.
The camera circles around the subject in a smooth arc, keeping them centered.
Quando usarlo: Hero moments, revealing all sides of a subject, dramatic emphasis mid-scene.
camera orbits slowly around the subject in a smooth arc
A samurai stands ready in a bamboo grove, camera orbits slowly around the subject in a smooth arc.
The camera rises (or descends) vertically through space, changing the angle on the whole scene.
Quando usarlo: Openings and closings, lifting from intimate detail to god's-eye context.
crane shot rising from ground level to a high angle above the scene
A wedding crowd throws confetti, crane shot rising from ground level to a high angle above the scene.
The camera is carried, with subtle natural shake and drift in every frame.
Quando usarlo: Documentary realism, unease, action immediacy, found-footage styles.
handheld camera with subtle natural shake, documentary feel
Soldiers move through a smoke-filled corridor, handheld camera with subtle natural shake, documentary feel.
An extremely fast pan that blurs the image, snapping from one framing to another.
Quando usarlo: Energetic transitions, comedic double-takes, connecting simultaneous actions.
fast whip pan to the right with motion blur
From the pitcher's wind-up, fast whip pan to the right with motion blur, to the batter waiting.
The lens focus shifts between two planes: foreground and background trade sharpness.
Quando usarlo: Redirecting attention, reveals within a frame, connecting two story beats without a cut.
rack focus from the foreground subject to the background
A letter in trembling hands, rack focus from the foreground subject to the background, where a door slowly opens.
The camera rolls on its long axis so the horizon sits tilted in the frame.
Quando usarlo: Disorientation, psychological tension, villain framings, worlds gone wrong.
dutch angle, camera rolls to a tilted horizon
A hacker's face lit by monitor glow, dutch angle, camera rolls to a tilted horizon, thriller mood.
The lens focal length increases from a fixed position: the frame tightens but perspective flattens, with no parallax.
Quando usarlo: Surveillance and documentary feels, retro 70s style, deliberate optical emphasis.
slow zoom in on the subject, optical zoom, no camera movement
A figure waits at the far end of a train platform, slow zoom in on the subject, optical zoom, no camera movement, 70s thriller style.
The lens focal length decreases from a fixed position, widening the frame without the camera traveling.
Quando usarlo: Deadpan comedic reveals, stepping back from a detail to its flat context.
slow zoom out revealing the scene, optical zoom, no camera movement
A single melting ice cream cone on hot asphalt, slow zoom out revealing the scene, optical zoom, no camera movement, an empty amusement park around it.
The camera dollies one way while the lens zooms the other: the subject stays the same size as the background warps toward or away.
Quando usarlo: Realization, dread, vertigo, the world shifting around a character (Jaws, Vertigo).
dolly zoom vertigo effect, background warping while the subject stays the same size
A detective freezes as the truth lands, dolly zoom vertigo effect, background warping while the subject stays the same size.
The camera floats forward smoothly with a subtle organic sway, stabilized but alive.
Quando usarlo: Following characters through spaces, immersive long-take feels (Goodfellas, The Shining).
smooth steadicam glide forward, floating camera movement
Moving through a crowded backstage corridor toward the stage lights, smooth steadicam glide forward, floating camera movement.
A first-person drone races and dives toward the subject at high speed, with aggressive momentum.
Quando usarlo: High-energy reveals, action sequences, flythrough transitions, music video energy.
FPV drone shot diving toward the subject at high speed
A lighthouse on a storm-battered cliff, FPV drone shot diving toward the subject at high speed, waves exploding below.
A drone rises and pulls back, shrinking the subject into an expanding aerial view.
Quando usarlo: Endings, scale reveals, leaving a character to their fate, establishing geography in reverse.
aerial drone shot rising and pulling away from the scene
A lone car drives a desert highway at dusk, aerial drone shot rising and pulling away from the scene.
The camera rotates a full 360 degrees on its long axis, rolling the whole world around the lens.
Quando usarlo: Stylized transitions, zero-gravity or dream sequences, high-impact music video moments.
camera barrel roll, full 360 degree rotation
Skydivers in freefall against sunset clouds, camera barrel roll, full 360 degree rotation.
The camera is rigged to the subject's body facing them: the actor stays locked in frame while the world swings behind them.
Quando usarlo: Panic, intoxication, obsession - subjective states where the world unmoors (Requiem for a Dream).
snorricam shot, camera locked to the subject while the background swings around them
A man sprints through a neon market in panic, snorricam shot, camera locked to the subject while the background swings around them.
Trova il movimento che corrisponde all'inquadratura che hai in mente, copia il frammento di prompt e incollalo nel tuo prompt video subito dopo l'inquadratura e il soggetto. Ogni frammento usa la formula che i principali modelli interpretano con più affidabilità, con una parola di velocità inclusa, perché «lento avanzamento» e «zoom improvviso» sono istruzioni diverse, non varianti della stessa. L'esempio completo su ogni scheda mostra il frammento dentro un prompt ben ordinato.
Il movimento macchina è la parte peggio usata dei prompt per video IA. Modelli come Veo, Sora, Runway e Kling sono stati addestrati su materiale descritto con vero vocabolario cinematografico, quindi «lenta panoramica a sinistra», «carrellata di inseguimento» e «gru verso l'alto» sono istruzioni che seguono davvero, mentre «macchina epica e dinamica» è rumore che riempiono a caso.
Le confusioni classiche costano il maggior numero di tentativi. Una panoramica ruota sul posto senza parallasse; una carrellata sposta fisicamente la macchina, separando primo piano e sfondo. Uno zoom cambia la lunghezza focale e appiattisce l'immagine; un avanzamento attraversa lo spazio e mantiene naturale la prospettiva. Chiedere quello sbagliato produce un movimento che sembra falso senza essere palesemente rotto.
Un movimento per inquadratura è la scelta professionale predefinita, tanto nella generazione con IA quanto su un set vero. Quando un momento sembra averne bisogno di due, genera due clip e montale, oppure scegli il movimento dominante e lascia fare il resto al montaggio. Impilare istruzioni di macchina in un solo prompt è la causa più comune di materiale IA confuso e alla deriva.
It pairs an animated demonstration of every core camera movement with the copy-paste prompt fragment that reliably produces it in Veo, Sora, Runway, Kling, and Seedance.
For this workflow, the central problem is clear: camera movement names are learned from text descriptions, so creators prompt 'dolly' when they mean 'pan' and get footage that moves wrong. Left unresolved, this creates downstream friction and slower decisions. The practical target is you see each movement animated, understand what it does to the frame, and copy the exact prompt phrasing that triggers it in AI video models.
Limitation to keep in mind: Model support for camera language varies: most handle pans, push-ins, and tracking well, while complex moves like orbits and rack focus may need a second generation or a model with explicit camera controls.
Advanced workflow: AI filmmakers pair one movement per shot with the prompt generator, keeping subject descriptions locked across the sequence so the movement changes while the world stays consistent.
Treat this tool output as a decision support layer, not a replacement for authorship. Great scripts are remembered for specific choices, emotional precision, and clarity of dramatic movement. Tools help by removing noise so your energy can go where it matters: character, conflict, escalation, and payoff. If you review outcomes after each pass and keep an explicit log of accepted changes, your workflow becomes faster and more predictable from draft to draft. That consistency is exactly what professional collaborators value: fewer surprises, clearer rationale, and a script that evolves with intent.
The core vocabulary is pan, tilt, push-in, pull-back, zoom, dolly/truck, tracking shot, orbit or arc, crane or boom, handheld, whip pan, rack focus, and the dutch angle roll. Each one is animated on this page with its matching AI prompt.
Pans, push-ins, pull-backs, tracking shots, and handheld styles are reliably understood by Veo, Sora, Runway, Kling, and Seedance. Orbits, crane moves, and rack focus work but may need a retry or a model with dedicated camera controls.
A pan rotates the camera in place, sweeping the view with no parallax. A dolly physically moves the camera through space, so foreground and background shift at different speeds. The two animations on this page show the difference instantly.
The most common causes are stacking several movements in one prompt, burying the movement at the end of a long prompt, or using vague language. Use one named movement, place it right after the shot framing, and add a speed word.
A zoom changes the lens focal length from a fixed position, flattening perspective as it tightens. A push-in physically moves the camera toward the subject, keeping perspective natural. Prompt 'push-in' for cinematic results and 'zoom' only when you want the optical effect.
Generally one movement per shot works best. If the story needs two moves, either pick the dominant one or generate two clips and cut them together, the same way a real production would cover it.
Sì. I frammenti usano il vocabolario standard della ripresa, su cui tutti i principali modelli testo-verso-video sono stati addestrati. Il supporto varia da movimento a movimento: panoramiche, avanzamenti e carrellate di inseguimento sono i più affidabili ovunque; orbite e cambi di fuoco possono richiedere un secondo tentativo su qualche modello.
Una panoramica ruota la macchina sul posto, quindi tutta l'immagine si sposta insieme senza parallasse. Una carrellata muove fisicamente la macchina, quindi gli elementi vicini e quelli lontani si spostano a velocità diverse. Confronta le due animazioni qui sopra e la differenza è immediata.
Di solito il movimento è sepolto in fondo a un prompt lungo, formulato in modo vago, oppure impilato con un altro movimento. Metti un solo movimento, chiamato per nome, subito dopo l'inquadratura, aggiungi una parola di velocità e resta su un movimento per inquadratura.
Un avanzamento, nella maggior parte dei casi. Attraversa lo spazio e mantiene naturale la prospettiva, e questo si legge come cinema. Lo zoom appiattisce la prospettiva, che è un effetto stilistico voluto: ottimo per uno zoom improvviso, sbagliato per un lento avvicinamento drammatico.
Di solito peggiora il risultato. Scegli il movimento dominante, oppure genera i due movimenti come clip separate e montale insieme, come farebbe una produzione vera coprendo una scena.
ScreenWeaver trasforma la tua sceneggiatura in scene, storyboard e prompt inquadratura per inquadratura, con personaggi e ambientazioni coerenti, così il linguaggio di macchina diventa un piano e non una scommessa. Gratis per iniziare.
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