Scene lock controls
Prevent half-baked sequences from entering the prepro packet while writers still polish earlier acts.
Prepro should not mean five apps and a shared drive full of mismatched versions. ScreenWeaver connects screenplay, boards, and coverage plans so department heads work from the same scene numbers before AI or physical production starts.
Script in one tool, boards in another, shot list in a spreadsheet, look references in a chat thread. Every meeting starts with version control instead of creative decisions.
Indie crews cannot afford coordinators who reconcile exports. When the director rewrites scene 12, boards and breakdowns that ignore the change become expensive lies on set.
AI previsualization promised speed but delivered random clips because nothing upstream defined coverage, cast, or geography with scene-level discipline.
ScreenWeaver unifies development artifacts under scene IDs. Generate boards from the script, build shot lists from those boards, and run AI previz passes that inherit the same metadata.
Department notes attach to scenes and frames. When the screenplay shifts, you see which preproduction assets need refresh instead of discovering conflicts on the shoot day.
Mark sequences ready for prepro. Unlocked scenes stay editable without polluting boards or shot lists meant for production review.
Produce storyboard strips and shot rows for locked scenes. Attach look references and lens notes where the director wants specificity.
Share a read-only packet with DP, production designer, and producers. Comments land on scene numbers everyone recognizes.
Export a preproduction bible or push approved frames into AI video tests that respect cast continuity and coverage intent.
Jae needs a credible prepro packet for investors: script, boards for set pieces, and a shot list for the two-day finale location. ScreenWeaver keeps every asset on shared scene numbers. When Jae trims a dialogue scene, only the linked board and two shot rows flag for update. The pitch deck stays honest about what the film will look like.
Prevent half-baked sequences from entering the prepro packet while writers still polish earlier acts.
Bundle script excerpts, board strips, and coverage summaries into PDFs that read professional without a graphics team.
DP, art, and producing notes live on the same scene timeline instead of scattered email threads.
Test mood and movement on approved boards so AI clips reflect planned coverage, not random prompts.
Without structure
With ScreenWeaver
It focuses on script-linked visual development: boards, shot lists, and AI previz. Scheduling, payroll, and call sheets typically live in dedicated production tools that can import your exported breakdowns.
Yes. Role-based sharing lets directors, DPs, and producers comment on scenes and panels without duplicating files.
As soon as you have scene structure. Many teams board key sequences during outline stage and expand coverage as drafts mature.
You choose script pages, board strips, shot list summaries, and look references. Exports are curated, not a dump of every work-in-progress frame.
It reduces guesswork for lighting, blocking, and tone. Physical tests still matter for performance and lens choice, but previz clips align with your coverage plan.
Changed scenes trigger review flags on linked boards, shot rows, and previz slots. You accept updates deliberately instead of silently overwriting approved work.
AI generation is not the hard part anymore. Keeping the film coherent is. Start in ScreenWeaver and build the chain before you burn credits.
Start creating with ScreenWeaver