画线剧本生成器
像场记一样给剧本画线，免费
这个免费的画线剧本生成器，让场记、导演和电影专业学生用片场的做法在剧本上标记镜头覆盖：每个机位一条竖线，从第一行被拍到的内容画到最后一行。粘贴剧本、定义机位，然后在浏览器里给每一页画线，不用再拿尺子、纸质剧本和铅笔。
画线的惯例是场记工作的标准做法：直线表示那几行上的动作在这个机位里完整入画，波浪线表示它发生在画外（声音录到了，画面没有）。每个机位都有自己的竖线通道，还有一条带场记板编号和覆盖备注的图例，剪辑师于是能一眼看出哪些机位覆盖了这场戏的哪个瞬间。
全部在你的浏览器里运行。你的剧本从不离开这个页面，机位和线条会在本地自动保存，你可以关掉标签页之后再回来。
一行一个机位，就像你的场记板：编号（12A）、覆盖备注（双人中景）、条数和线型。
添加一个机位就能开始画线。一个机位是一个摄影机位置加一种取景，比如 12A 或 12B。
第 1 页，共 1 页
图例
这一页上还没有画线的机位。
还没有画线。选一个机位，然后在剧本里点起始行和结束行。
你的画线剧本
0 个机位，0 条覆盖线，1 页剧本。
已在这个浏览器里自动保存。下载 PDF 就能交给剪辑或放进制作文档里。
工作原理
工具把你粘进来的文本排成标准的 Courier 剧本页，每 55 行分一页，也就是 Final Draft 打印出来的那种版式。你按场记板上的样子定义机位，然后标出每个机位覆盖的剧本范围。每个机位都有自己的竖线通道，线之间永不重叠；跨页的范围会干净地分到两页上；每一页都带着自己的图例，列出该页的机位、覆盖备注，以及线是直的还是波浪的。PDF 导出用 jsPDF 重绘同样的页面，画面内覆盖用实线，波浪覆盖用虚线。
怎么像场记一样给剧本画线
给剧本画线，记录的是哪些机位覆盖了剧本的哪些行。在片场，场记为每个机位画一条竖线，从摄影机开始覆盖的那一刻画到最后一刻，并标上场记板编号。电影专业学生至今还在用尺子和纸质剧本学这件事，而大多数数字化方案都是面向从业者的付费软件。这个画线工具是免费的、在浏览器里运行，并且遵循同一套惯例。
直线和波浪线的区别，是整套系统的核心。一条穿过某段动作或对白的直线，说明这个机位把那部分内容拍在了画面里。波浪线则说明那部分内容发生在这个机位开机期间，但在画外：一句画外的回答、一个我们听得见却看不见的反应。当剪辑师在剪辑室里翻开这份画线剧本时，这两个记号回答的正是每一次剪辑的第一个问题：这个瞬间有哪些覆盖可用？
这就是剪辑师把一份好的画线剧本当成覆盖地图的原因。没有它，要弄清第 12 场那个反应有没有一条干净的单人镜头，就得把每一条素材都拉一遍。有了它，看一眼那一页就够了。如果你正在筹备拍摄，把这份画线剧本模板和一份标注过的拍摄本、一份场记条一起用，你交给后期的就是一份每场戏能省下好几个小时的文件。
谁在用它
- 低成本片场的场记。 在走位和摄影机排练时就数字化地给每场戏画线，然后把 PDF 导进制作手册里，不用再扫描那些铅笔画的纸页。
- 学习场记工作的电影专业学生。 在真实的场次上练直线和波浪线的惯例，不用打印剧本，还能把不同练习之间的画线页拿来对比。
- 筹备期的导演和剪辑。 在开拍前先把计划中的覆盖画出来：为每场戏画上打算用的机位，趁改动还便宜的时候，找出那些没有任何摄影机覆盖的瞬间。
Lined Script Generator: the complete guide
It formats your pasted screenplay into 55-line Courier pages, lets you define camera setups with slate labels and coverage notes, and draws one labeled vertical line per setup across the exact script lines it covers, straight for on-camera and wavy for off-camera, with a legend on every page and a PDF export.
For this workflow, the central problem is clear: lining a script digitally normally requires paid apps like Scriptation or ScriptE, so most low-budget productions fall back to pencil, ruler, and scanned paper pages. Left unresolved, this creates downstream friction and slower decisions. The practical target is a clean, exportable lined script that records which setups cover which script lines, using the standard straight and wavy conventions.
Limitation to keep in mind: It lines coverage and take counts; it does not replace full continuity paperwork like facing pages, editor's notes per take, or timing logs, which still need a dedicated workflow on larger productions.
Advanced workflow: Experienced supervisors line during blocking, revise after camera rehearsal, and reconcile the lined pages against the camera and sound reports at wrap so the editor receives one authoritative coverage map per scene.
Step-by-Step Workflow
- Paste your Fountain or plain screenplay text and check that scene headings, cues, and dialogue landed on the right indents.
- Add one setup per camera position with its slate label, coverage note, take count, and straight or wavy style.
- Select a setup and mark its span by clicking the first and last covered line, or by picking line numbers from the selectors.
- Review the legend on each page, then download the PDF and file it with the day's continuity paperwork.
Use Cases By Profile
- Script supervisor: line each scene as setups are slated and export the PDF into the daily production book.
- Film student: practice the straight and wavy continuity convention on real scenes without printing a single page.
- Editor: read the lined pages before the first assembly to know instantly which setups cover a given beat.
Common Mistakes To Avoid
- Drawing one line for the whole scene when the setup only holds part of it on camera.
- Using straight lines for off-screen dialogue instead of wavy, which misleads the editor about available picture.
- Skipping the coverage note, leaving future readers with a slate number and no idea what the framing was.
Professional Best Practices
- Label setups exactly as they are slated (12, 12A, 12B) so the lined script matches the camera reports take for take.
- Line during rehearsal and adjust after the first take; coverage plans rarely survive contact with the actors.
- Update take counts as you go, since a setup with one usable take reads very differently in the cutting room than one with six.
Treat this tool output as a decision support layer, not a replacement for authorship. Great scripts are remembered for specific choices, emotional precision, and clarity of dramatic movement. Tools help by removing noise so your energy can go where it matters: character, conflict, escalation, and payoff. If you review outcomes after each pass and keep an explicit log of accepted changes, your workflow becomes faster and more predictable from draft to draft. That consistency is exactly what professional collaborators value: fewer surprises, clearer rationale, and a script that evolves with intent.
Extended FAQ
How do script supervisors line a script on set?
During each setup they draw a vertical line from the first script line the camera covers to the last, labeled with the slate number. Straight sections mean the action is on camera; wavy sections mean it happens off screen while the take rolls. The lines accumulate across setups until the scene's full coverage is mapped on the page.
What is the difference between a lined script and facing pages?
The lined script is the marked-up script page itself, showing coverage spans per setup. Facing pages are the notes opposite each script page: take numbers, lens info, timings, circled takes, and continuity remarks. Professional continuity paperwork uses both; this tool produces the lined page.
How many setups can I track per scene?
There is no fixed cap. Each setup gets its own vertical lane so lines never overlap, and the page legend lists every setup with its label and coverage note. In practice most scenes carry three to eight setups, which stays very readable on the page.
Do editors actually use the lined script?
Constantly. It is the map of coverage: before scrubbing footage, the editor checks the lined page to see which setups cover a beat and whether the material is on camera or wavy. A scene without a lined script means hunting through every take to answer questions the page would settle in seconds.
Can I line a Fountain screenplay directly?
Yes. Paste Fountain text and the tool reads scene headings, character cues, dialogue, parentheticals, and transitions, skips the title page block, and lays everything out in standard Courier indents. Plain unformatted text works too; it is treated as action and paginated the same way.
Is this script lining software really free?
Yes. There is no signup, no watermark, and no upload; the whole tool runs in your browser and the PDF is generated locally. Your work autosaves to local storage on your own machine so a closed tab does not lose your lined pages.
关于画线剧本的常见问题
画线剧本是场记在拍摄本上做标记的那一份。每个机位都有一条竖线，精确穿过它覆盖的那些剧本行，并标上场记板编号。它和对页的备注一起，准确地告诉剪辑师每一场戏的每一个瞬间有哪些覆盖可用。
波浪线标记的是这个机位期间发生在画外的内容：台词或动作发生在摄影机开机时，但不在画面里。那一条素材上有声音，没有画面。直线则表示内容完整入画。这个工具把波浪覆盖画成虚线，并且总在页面图例里写明它的含义。
可以。它遵循电影学院教的那套惯例：每个机位一条竖线，画面内用直线、画外用波浪线，每页配一份图例。做长篇的专业工作时，你最终可能还是会想要一款专门的付费软件，但对短片、学生作品和独立长片来说，这个工具零成本地覆盖了核心流程。
不会。解析、画线和 PDF 生成全都在你的浏览器里本地运行。没有任何内容被上传，也没有账号，自动保存只用浏览器的本地存储。
点「下载 PDF」。导出会重绘每一页 55 行的 Courier 页面，带上你的机位竖线，按直线或波浪线画成实线或虚线，再加上每页的图例，列出每个机位的编号、覆盖备注和条数。文件在本地生成，直接保存到你的设备上。
