试戏片段生成器
免费的试戏片段生成器，不用注册
粘贴一份剧本，这个免费的试戏片段生成器就会精确抽出你为试戏或拍摄日所需要的那些场次，排成一份规范的剧本 PDF。为那些厌倦了手工把场次抄进文档、或者为了导出三页而要注册账号的选角导演、副导演和演员而造。
试戏片段是制作方真正发出去的那些场次：选角部门发给演员的是试戏场次而不是完整剧本，副导演则把当天的场次抽出来放进通告单材料包。工具会解析你的场景标题和人物名，所以你可以挑一个人物，让他有台词的场次被自动选中，也可以手动勾选场次。
全部在你的浏览器里运行。你的剧本在本地解析，从不离开你的设备，无论你是粘贴文本还是载入 .fountain 或 .txt 文件。
把剧本粘到上面或载入一个文件，就能看到它的场次和人物。
工作原理
工具按标准剧本惯例逐行读你的文本：以标准前缀开头的场景标题开启一场戏，后面跟着对白的全大写行是人物名，而在跨场次匹配同一个人物时，(V.O.) 或 (接) 之类的扩展会被去掉。选一个人物，生成器就精确选中他有台词的那些场次；切到按场次模式，就能手动搭出一份拍摄用材料包。导出遵循好莱坞版式：US Letter 纸上的 Courier 12、左边距 3.8 厘米、标准对白缩进、带标签和项目名的页眉块、页码，以及每段片段之后的「本场结束」分隔线。
怎么为试戏和拍摄日准备片段
试戏片段之所以存在，是因为没人会把整个剧本发出去。选角部门发试戏片段，好让演员准备两三场戏而不是 110 页，也好让一部还没拍出来的剧本不至于在制作方愿意之前就流传开。在片场，副导演抽出当天通告单上那些场次做成拍摄片段，剧组和演员于是拿的是五页纸而不是一整本活页夹。试戏片段生成器把最枯燥的那部分自动化了：找出一个人物有台词的每一场戏，并把那些片段重新排成一份干净的 PDF。
礼节比排版更重要。演员应该在读戏前 24 到 48 小时拿到片段，这段时间够他们做出表演选择，又不至于要去背一本电话簿。片段保留场景标题、交代情境的动作行和完整的对白往来，而不只是把某个人物的台词从上下文里抠出来。这就是为什么这个生成器导出的是完整场次：对戏的人仍然需要对话的另一半。
所有值得一提的片段工具（StudioBinder、WriterDuet、Actors Access）都把这个功能挡在账号后面，有些还挡在付费套餐后面。这在技术上毫无理由：解析场景标题、打印 Courier 是浏览器就能干的活。这个片段生成器免费、不用注册，也从不上传你的剧本，这意味着它对签了保密协议的材料同样适用。粘贴、勾选、下载，完事。
适合谁
- 选角导演和助理 几分钟抽出每个角色的试戏场次，加上按收件人的水印，然后发给演员一份干净的材料包，而不是一份画满记号的完整剧本。
- 副导演和制作统筹 按剧本顺序勾选当天排定的场次，为通告单材料包生成当天的拍摄片段。
- 演员和自录带的人 当制作方发来完整剧本、让你自己挑场次时，做一份属于你自己的片段，把你的人物名加粗，好更快地对台词。
Script Sides Generator: the complete guide
It parses your Fountain or plain screenplay locally, detects scenes and speaking characters, auto-selects a character's scenes or lets you check them off by hand, and exports the excerpts as a standard screenplay PDF with header, optional watermark, and page numbers.
For this workflow, the central problem is clear: pulling a character's scenes out of a script and reformatting them as clean sides is slow manual work, and every existing generator hides it behind an account. Left unresolved, this creates downstream friction and slower decisions. The practical target is properly formatted audition or shooting sides as a Courier 12 PDF, built in the browser in under a minute with no signup.
Limitation to keep in mind: It follows standard slugline and cue conventions, so heavily nonstandard formatting (lowercase headings, cues buried in action) may need cleanup first, and the page count is an estimate, not a Final Draft pagination match.
Advanced workflow: Casting teams generate one watermarked PDF per recipient, naming the reader and date in the footer, so any sides that leak online can be traced to the copy that leaked.
Step-by-Step Workflow
- Paste your script or load a .fountain or .txt file, then confirm the detected scene list matches your draft's sluglines.
- Switch to by-character mode and pick the role: every scene where that character speaks is selected automatically, and you can still uncheck scenes that reveal too much.
- Set the header label (audition sides, shooting sides, or a custom line), the project title, and a watermark naming the recipient and date.
- Check the scene and page summary, export the PDF, and repeat per role or per shoot day, since selections take seconds to change.
Use Cases By Profile
- Casting director: build each role's audition packet from the draft the producers approved, without retyping a line.
- Second AD: pull the scheduled scenes into shooting sides that match the call sheet's scene numbers and order.
- Actor: make personal sides with your own cues in bold to speed up line runs and self-tape setups.
Common Mistakes To Avoid
- Sending an actor only their own lines instead of complete scenes, which strips the context the read depends on.
- Distributing sides the night before a morning audition instead of the standard 24 to 48 hours ahead.
- Skipping the watermark on confidential material, which makes leaked pages impossible to trace.
Professional Best Practices
- For auditions, pick two or three scenes that show different registers of the role, not the three biggest speeches.
- Keep scenes in script order in shooting sides so they match the stripboard and the call sheet's scene column.
- Bold the auditioning character's cues so a nervous reader can find their next line at a glance.
Treat this tool output as a decision support layer, not a replacement for authorship. Great scripts are remembered for specific choices, emotional precision, and clarity of dramatic movement. Tools help by removing noise so your energy can go where it matters: character, conflict, escalation, and payoff. If you review outcomes after each pass and keep an explicit log of accepted changes, your workflow becomes faster and more predictable from draft to draft. That consistency is exactly what professional collaborators value: fewer surprises, clearer rationale, and a script that evolves with intent.
Extended FAQ
How far in advance should actors receive audition sides?
The working standard is 24 to 48 hours before the session. Less than that and prepared reads suffer; much more and the material circulates longer than casting wants. Same-day sides are reserved for cold reads, which test a different skill.
What is the difference between audition sides and shooting sides?
Audition sides are scenes casting selects to test a role, sent to many actors. Shooting sides are the scenes scheduled for one shoot day, pulled by the AD team and distributed with the call sheet so cast and crew work from the same few pages.
How many pages should audition sides be?
Usually 2 to 6 pages covering two or three scenes. Enough to show range, short enough to prepare well in a day or two. Series regular auditions sometimes run longer, but past 10 pages you are asking for a workshop, not a read.
Can I make sides from a Fountain file?
Yes. Load a .fountain file directly or paste the text: the parser reads Fountain sluglines, forced headings, character extensions like (V.O.), and dual dialogue markers. Plain screenplay text pasted from any editor works with the same conventions.
How do ADs pull sides for the call sheet packet?
The second AD takes the scenes on the next day's schedule, extracts them from the latest script revision in shooting order, and prints or sends them with the call sheet. With scene mode, that is a checkbox pass over the schedule and one export.
Should sides include scenes where my character does not speak?
Sometimes. By-character selection finds speaking scenes automatically, but if a silent scene matters to the role (a reveal, a reaction the director cares about), add it manually with its checkbox before exporting.
常见问题
试戏片段是制作方用来代替完整剧本发出去的那些选定场次：演员在试戏时读的两三场戏，或者随通告单一起发出的当天排定场次。它们保留完整的场次，包括其他人物的台词，材料因此在上下文里仍然成立。
挑出能展示这个角色幅度的场次，通常两到三场，每一场从场景标题到最后一句台词保持完整，然后按标准剧本格式导出，页眉写清项目和人物。这个工具就是这么做的：选好人物、调整场次勾选框、下载 PDF。
试戏时几乎总是只有片段。制作方要保护还没面世的剧本，选角部门也希望每个演员准备的是同一份材料。演员通常在定下角色之后才拿到完整剧本，而在一些保密很严的项目里，即便那时也只拿到自己的场次。
因为片段是引流的钩子：StudioBinder、WriterDuet 和 Actors Access 都把片段生成挡在注册后面，好向你推销他们的付费平台。解析场景标题、在 Letter 纸上打印 Courier，既不需要服务器，也不需要账号，更不需要你的邮箱，所以这个工具一样都不要。
不会。解析、场次选择和 PDF 生成全都由 JavaScript 在你的浏览器里完成。无论你是粘贴文本还是载入 .fountain 或 .txt 文件，剧本都不会离开你的设备，这让这个工具对签了保密协议的剧本也适用。
